Wednesday, March 28, 2012

Every Part of Ourselves Makes a Character - Ask Patty Froese

Patty Froese lives in Alberta Canada with her husband and their young son.  The winters are long and cold, but that suits her just fine--as long as she can stay inside with her writing and keep the snow on the other side of the glass. She has eight novels now published, her most recent being Perfect on Paper with Desert Breeze Publishing. 
SDC: Welcome, Patty. As we come together, we'd love to know your theme scripture that strengthens you during your writing. Tell us about why you selected your verse as your focus, and how tit might correlate with the types of books you write, if it does.

PF: I've always liked Proverbs 4:23-27.  It reminds me to keep focused and keep perspective. I don't think it correlates with my novels in a direct way, but seeing as it is very personal to me and my novels are an expression of me, I'm sure it factors in.  Let's just say it ends up being part of the soup.    

SDC:  Thank you. I love checking into the scriptures some other authors give me over time. Tell us about your publisher(s) and your experiences in working with them and what you have coming out soon.

PF: I have worked with three different publishers so far.  Review and Herald Publishing association has published my Biblical fiction where I spin stories around different characters we find in the gospels.  Pacific Press Publishing has put out my kids books and my Victorian romance.  Now, Desert Breeze Publishing is releasing my eighth book--a contemporary Christian romance called Perfect on Paper.  I'm really excited about this one.  This is my first e-publication and I think there is just so much potential in this new market.

SDC:  I join you in that excitement, Patty. What kind of response have you received from readers who have been influenced greatly by your writing or your personal testimony? 

PF: I hear from a lot of readers who say that they really identify with my characters, but I think that the most memorable response I've gotten from my writing was from a woman who gave my book, Woman at the Well as a gift to her sister.  This is fictional story I spun around the story of the woman at the well from the book of John.  This lady's sister had a lot of problems surrounding substance abuse and that sort of thing, and she said that it absolutely changed her life!  I mean, I can't take credit for God working, but having God use my book was pretty incredible. I'll never forget that.  It was really humbling. 

SDC: How do the thread faith, love, and hope along with the reality of life work together in your stories?

PF: I don't try to do that on a conscious level.  Generally, I'm writing stories about people going through very real situations and how that would impact their faith--how they'd struggle through it and find God as their answer.  I think that faith, love and hope are integral parts of real, honest living and if I focus on making a story as honest as possible, those aspects will be there.

SDC: How long did you have to wait before getting published the first time? What are some things that went through your mind?

PF: I was first published as a kid when I got a story accepted into a children's magazine, but my first novel was accepted after I graduated university with an English degree.  I was broke, newly married, and checking my email at a local library.  When I opened the email, fully expecting to see another rejection, I did a quiet little jig right there in the middle of all the glares (they must have thought I was nuts!) and then dashed on home to find the first person I knew to tell.  What was going through my mind?  I was grateful--very deeply grateful.  What a feeling!

SDC: Ah, ha! A published author as a child. That's awesome, and will be so encouraging to young people who read these interviews. So, speaking of children, do you include children or animals in your stories? If so, why? And how do they play a strong part in the fleshing out of your book? If not, tell us a little about your sub-characters.

PF: I didn't used to use children as much as I do now.  As a mother, I find that children find their way into my stories without much trouble because raising a child is such a large part of my life. 

My secondary characters tend to be different aspects of my own personality.  We all have parts of ourselves that we keep under control, and secondary characters allow me to give those parts of myself a voice.  Sometimes it isn't pretty, but I think that is the only way to keep them real.  Sometimes my characters are an image that I have in my mind of what my life might have turned out like if something different had happened.  What would I be like if my writing had completely flopped and never gone anywhere?  What would I be like if I hadn't met my husband and I was still single and waiting?  Sometimes those characters are people in my life--or aspects of people in my life.  Then I have to think, if I were in their shoes, what would I do?  How would I feel?   

SDC:  Think of an intriguing question you would like to ask one of our viewers to answer to help me select the winner of your newest book coming out.

PF: If you were describe yourself as the character in a book, what character would you be?  Would you be the heroine, the side-kick, the flashback memory?  Tell me how you'd write yourself into a book.

SDC: Wow! Great question. Well, Patty, it’s been a real pleasure having you here at A Pen for Your Thoughts. Please include your URL and where people can find your books.

https://www.facebook.com/pattyfroese

READERS: Be sure to answer Patty's question above to try to win a copy of her book! Don’t forget to include your email address.


Friday, March 16, 2012

Why? The answer is here from Laurie Alice Eakes!

A book you are going to want to read. This one was well worth the wait.
Read on --
Seafaring Women

By Laurie Alice Eakes

When I was working on my midwives project in grad school, I ran across a book with just a couple of paragraphs about a midwife who made her living going to sea with pregnant women. Since I love books that take place at sea, this struck my fancy. What better! One of my midwives and the sea. I started my usual process of asking why questions: Why would a midwife go to sea in the middle of a war? Why would her sister-in-law want her to go to sea with her? Why would the enemy help an American imprisoned in England? Why…? Why…? Why…?

The answers came to me as swiftly as a ship in full sail, and—Voila!—I had my story.
At least I had my story premise. The details took a bit more work.


toward redemption . . . and love.
All Phoebe Lee wants out of life is to practice midwifery in Loudon County, Virginia. But when she is pressed by her pregnant sister-in-law to help save her husband from an English prison during the War of 1812, Phoebe cannot refuse. The two women end up aboard a British privateer crossing the Atlantic under the command of a man with a deadly mission.
Captain Rafe Docherty promises to get Phoebe’s brother-in-law out of prison in exchange for information he holds—information Rafe needs to track down and destroy the man who killed his wife.

As Rafe plots revenge and struggles against his attraction to Phoebe, she determines to get ashore before she loses her heart and before her patient goes into labor. But an enemy in their midst threatens to end their plans, the ship, and their lives.

Excerpt:

He caught a whiff of her delicate jasmine scent, soap from the merchantman, before he heard the whisper of her slippers and skirt on the deck blend with the sigh of rippling wavelets against the brig’s hull. With all his will, he managed not to turn around and draw her to him and kiss her again. For those few minutes on the docks, he’d forgotten Brock and hatred and eve n Davina. With the fire of rage now ablaze afresh, the temptation to seek solace from the beautiful widow tightened every nerve in his body.

He would not disrespect her that way.

But she’d promised to stay. And now she’d come to him. For the past two hours she’d been below, soothing Belinda’s histrionics over being left behind all day and knowing nothing of what was afoot. Now Phoebe glided up beside him within touching distance.

He continued to grip the taffrail so he didn’t touch her. “’Tis late for you to be up and about. Should you not be in your bed?”

“When there’s a caged lion pacing overhead?” She smiled at him in the blend of silvery moonlight and golden binnacle lantern glow. “I couldn’t stay away.”

“A braw lady to approach a lion in his lair.” He allowed himself the luxury of one ghost of a touch on her face, the merest hint of his fingertips skimming across the curve of her cheekbone.

No more. No more. In harbor, no helmsman stood at the wheel to force him to propriety. The nearest watch stood halfway down the main deck and out of sight.

“And I’ve not paced this half hour or more,” he added with the merest hint of a smile.

She’d been drawn to him as he wanted her to be, connected to his spirit because of those moments of contact on the wharf, those seconds of admitting their attraction to one another. Attraction without love or even liking and respect on her side. Something purely carnal and therefore wrong with a good woman like her.

Completely wrong regardless of the woman, a faint voice from his past reminded him—a past whose teachings he’d set aside for the sake of destroying James Brock.

(Learn more about Laurie Alice Eakes at her website)